Posts Tagged ‘Arts’

small is the new black

April 20, 2009

Seeing the STREB show a couple of weekends ago, and discussing it several times with my friend Josephine, has got me thinking about the changing business models, and the reason they are changing. Let me explain.. What I forgot to mention in my previous post is that STREB is using an innovative platform of “10 second dance”. In exchange for a $10 donation, you get to co-produce a 10-minute dance, which will be presented at the next show. This does 4 things well, in my opinion:

  1. Creates a stronger community around STREB, giving all co-producers more “skin in the game”, and allowing them to be your ambassadors and telling all of their friends about it
  2. Allows everyone to participate by making the threshold so low ($10), illustrating the power of the “power in numbers” concept.
  3. Appeals to human vanity (oh c’mon, we all have it 🙂 – in my opinion, you need to be somewhat vain to want to put your life out there with social media like we all do, and imagine that others may and will care about it.
  4. Duh! raises money!

Seems that more and more things are getting processed in bite-sized pieces. There is microlending (Kiva.org, Prosper.com, Donorschoose.com) and of course, microblogging (Twitter and other platforms). Seems that small is the new black. Even the Web2.0 conference this year was themed “The Power of Less.”

I think this reach for “less” is happening due to a confluence of several events, caused by the evolution of our society.

Firstly, and more gradually, our society (online and offline) has gotten inundated. Offline store shelves are packed with brands and brand extensions, with each brand extension in several flavors, colors, smells, textures, etc. Most innovations that corporate America parades around, are actually not that innovative, but rather are updates to the same-ole-same-ole.

There is a lot of noise. Consumers are lost and overwhelmed, and manufacturers feel like they are drowning among noise.

Online, a similar thing is happening: with the “Web2.0” bubble, there are more websites than eyeballs (seems like, but please don’t quote me, I don’t have the actual statistics), and more and more are created each day. Unfortunately, most fail to differentiate themselves. A successful solution that can cut through this noise will have to successfully build around the user, wherever the user is (mobile + twitter + web), and not make the user go to its website (this is an entirely different topic that merits another post, so I will stop here).

Secondly, in addition to this overwhelming quality of online and offline “stuff”, the global economy crash is causing us all to rethink how we spend, how we save, what we value and how to course-correct the mistakes we have made so far. I think this process is a vital one, as it will separate the companies, processes and people who add value (education, where addition of skills downright changes lives) from those that don’t (repackaged toxic assets, where no value is created). Again, this is fodder for its own blogpost.

So because of this economy of “more”, followed by a downright economy crash, we seem to be embracing the concept of “less” and basking in simplicity and authenticity. Who knows, perhaps it’s this yearning for simplicity is what is propelling Susan Boyle to such astronomical heights of popularity.

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Do You STREB? You Should!

April 15, 2009

Last Friday, I had the pleasure of experiencing the most amazing show I have experienced in a while! I was lucky enough to win free tickets on my friend Mike Davis‘s blog. To enter the contest, all you had to do was sign up for Mike’s YouTube show – he will have more contests, so you should definitely join. Not to mention, Mike rocks!

I had never heard of STREB before, but I had read the description on the web, and was immediately fascinated. I didn’t know what to expect, but all I knew was that it looked like urban Cirque du Soleil. My friend Josephine had seen STREB shows before (Elizabeth Streb, by the way, is the choreographer who has given life to the PopAction genre), and had mentioned to me that it reminds her of a more powerful, and slightly more violent, version of Cirque du Soleil. Josephine had mentioned to me before the show that the dancers would be slamming into each other and into walls, which left me utterly confused. Elizabeth’s bio on the site states that PopAction  ” intertwines the disciplines of dance, athletics, boxing, rodeo, the circus, and Hollywood stunt-work. The result is a bristling, muscle-and-motion vocabulary that combines daring with strict precision in pursuit of the public display of “pure movement”, and I find this the most eloquent and terse description that fits perfectly, so that I couldn’t add anything further.

I find myself reaching for words to describe STREB accurately, because it’s something so extremely original and unprecedented. A group of extremely toned dancers with beautifully muscular bodies, present various dance numbers, in which they use their bodies to tell stories with top-level precision and power. The show starts with dancers slamming into a large plexi glass in the middle of the stage. It sounds bizarre, but looks amazing when two dancers slam into each other from two different sides and look like a mirror image of each other. Josephine and I discussed this number afterwards, and found it very symbolic of our time. We are wanting to make a difference, connect, but are frustrated with external (economic or otherwise) factors. Another favorite number of mine was the trapeze dance against the wall (pictured below), where dancers danced with their feet on the wall, strapped into harnesses.

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It was so beautifully synchronized, and required such precision (and freakishly strong ab muscles!) to pull off in a completely horizontal position.

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Another definite highlight was the “hamster wheel” (pictured below). It starts out with one dancer spinning inside the wheel, making it rotate by walking inside of it at a constant and controlled speed

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To my amazement, more dancers started hooking onto the wheel and doing various pirouettes inside, under, over and every which way.

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What a mind-blowing exhibit of synchronicity, extreme precision and control! One wrong move, and not only do you hurt yourself, but you also hurt your teammates! (none of the dancers were harnessed).

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The entire show was a true tour de force of a human body. In everyday life, perched behind our MacBooks, we forget of what a tremendous instrument we were given (for free!) and what our bodies are really capable of. Everytime that I see something so incredibly powerful and precise, I bow my head in respect and admiration. See below some more examples of the nimble amazingness that is STREB:

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When the show was over, Kim Cullen, the Producing Director of the show, reached out to Josephine and myself to chat about the show and social media. I was extremely happy to hear that STREB was considering integrating social media into their current marketing mix. I just love meeting people who “get it” and are open to these new channels of engaging new consumers, because they realize that this is really the future of communication. This type of performance really lends itself well to the virality of social media, because as each social-media-engaged viewer sees the performance, he / she is going to share it with Twitter, Facebook and other social media sites, write and comment on blogposts, post pictures to Flickr, videos to YouTube. Through the power of narrative and experience sharing, the word spreads; and this really was an experience worth spreading. I will definitely be going back to take pictures with my good DSLR camera (Nikon D60), and hopefully a video device (anyone care to lend an HD Flip?) – these iPhone pics, although a good start, do not do it justice

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You can see the rest of my photographs (apologies about the quality; iPhone is not the best at capturing motion) – http://bit.ly/streb

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